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Where the Dead Sit Talking, by Brandon Hobson
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Review
Finalist for the 2018 National Book Award for FictionLonglisted for the 2019 Aspen Words Literary PrizeNPR's Code Switch Best Books of 2018A Kirkus Reviews Best Book of 2018A Southern Living Best Book of 20182019 In the Margins Book Award Top Fiction NovelPraise for Where the Dead Sit Talking"An extraordinary book." —NPR's Code Switch "A strange and powerful Native American Bildungsroman . . . this novel breathes with a dark, pulsing life of its own." —The Tulsa Voice "Soulful."—Dallas Morning News"This is a dark story that depicts the loneliness and pain of unwanted children and the foster care system where they end up . . . authentic and humane." —The Oklahoman "A dark, twisting, emotional novel about a teenage Cherokee boy dislocated in the foster care system . . . The novel holds a difficult dialogue on intergenerational trauma, the effects of separating children from their Nations, and the perilous outcomes if we do not make urgent changes to the systems forcing American Indians to assimilate and disconnect. This may be set in the past, however, the same cycles exist today, showing that we have not yet learned the necessary lessons to interrupt the trauma." —Electric Literature"A powerful testament to one young Native American’s will to survive his lonely existence. Sequoyah’s community and experience is one we all need to know, and Hobson delivers the young man’s story in a deeply profound narrative." —KMUW Wichita Public Radio "I was really struck by the intelligence of the book, as well as the significance of the story that he's telling, about what it's like to be a modern Indigenous person in this country, as a Native American, and to be in the foster care system. I was very struck by the plot of it—it's very well written, it's very propulsive, it's very readable for literary fiction, and I would recommend it heartily to book clubs." —Min Jin Lee, author of Pachinko "Imagine a plot hybrid of Dickens and George Saunders." —The Brooklyn Rail"Dreamlike prose . . . Where the Dead Sit Talking is an exploration of whether it’s possible for a person to heal when all the world sees is a battlefield of scars." —San Diego CityBeat "The latest from Hobson is a smart, dark novel of adolescence, death, and rural secrets set in late-1980s Oklahoma. Hobson’s narrative control is stunning, carrying the reader through scenes and timelines with verbal grace and sparse detail. Far more than a mere coming-of-age story, this is a remarkable and moving novel." —Publishers Weekly, Starred Review "A masterly tale of life and death, hopes and fears, secrets and lies." —Kirkus Reviews, Starred Review "Hobson's eloquent prose and story line will keep literary and general fiction readers turning pages. Its teen protagonists offer interest for young adults." —Library Journal "[A] poignant and disturbing coming-of-age story . . . Hobson presents a painfully visceral drama about the overlooked lives of those struggling on the periphery of mainstream society." —Booklist"Hobson's gift to the reader is the hopeful persistence he instills in Sequoyah, despite his challenges with identity and belonging. He is a young man who is clearly scarred but thankfully not defeated."—Shelf Awareness "In Where the Dead Sit Talking, Hobson is once again in fine form, delivering a lyrical, somewhat brutal, and very touching coming of age story set in rural Oklahoma in the late 1980s. At once elegant and straightforward, poetic and cold in a way that approximates noir . . . a beautifully written novel." —Vol. 1 Brooklyn "Intriguing . . . Hobson has written here a dark and arresting tale." —Literary Hub “Where the Dead Sit Talking is a sensitive and searching exploration of a youth forged in turbulence, in the endless aftermath of displacement and loss. Sequoyah’s voice is powerfully singular—both wounded and wounding—and this novel is a thrilling confirmation of Brandon Hobson’s immense gifts on the page.” —Laura van den Berg, author of Find Me"Weird and intimate, like Ottessa Moshfegh's Eileen, Where the Dead Sit Talking takes us to a strange, dangerous place normally kept hidden. From the opening hook, with the unhurried authority of a master, Brandon Hobson initiates the reader into the secret lives of lost and unwanted teenagers trying to survive in an uncaring world. Creepy, sad, yet queerly thrilling."—Stewart O'Nan, author of The Speed Queen"Where the Dead Sit Talking is a tender and unflinching look at shell-shocked young lives as they try in the eddies of foster care to keep their heads above water. Hobson writes with a humane authority but without giving his characters any alibis. What we have instead is a careful look at what it means to be physically and psychically scarred, abandoned by parents, Native American in a white world, haunted by death, and on the verge of becoming an adult. A wonderful, harrowing novel." —Brian Evenson, author of The Open Curtain"I fear and ferociously admire everything Brandon Hobson creates. He is the only person who can describe the way an object becomes whole when we have enough time to look at it or the presence of a loved one in the air even after she is gone. In this heartbreaking and vital novel there is an unconfessable world of pain, desire, and longing. A careful oscillating dance around avoiding the pangs of abandonment and wanting to go through them all at once to get the suffering over with. Sequoyah, his scars, and eye makeup will leave you with wide eyes and a brimming heart."—Chiara Barzini, author of Things That Happened Before the Earthquake"One of those novels that comes around rarely in Native American letters, one that quietly changes everything."—Anomaly Praise for Brandon Hobson“Restrained, dark, and strangely silent . . . If you've ever had a homecoming laced with sadness and longing, you'll relate to [Deep Ellum].”—Ottessa Moshfegh, New York Times bestselling author of Homesick for Another World “[Deep Ellum] stands out as a miniature masterpiece of mood.” —San Diego City Beat “Hobson has a remarkable ability to travel deep into a very dark place and come out plausibly on the side of light.” —Dawn Raffel, Reader’s Digest “Hobson writes novels that are very bright and incredibly dark, surprisingly funny and wonderfully complex.” —Vol. 1 Brooklyn “With Deep Ellum, Hobson establishes a city that is as lively as Twin Peaks, a Walden that offers little peace, no meditation, a reversal of transcendentalism.” —Electric Literature
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About the Author
Brandon Hobson is an enrolled member of the Cherokee Nation tribe. His writing has appeared in such places as Conjunctions, NOON, The Paris Review Daily, the Believer, and elsewhere. His most recent novel is Where the Dead Sit Talking, a finalist for the National Book Award.
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Product details
Hardcover: 288 pages
Publisher: Soho Press; 1st Edition edition (February 20, 2018)
Language: English
ISBN-10: 1616958871
ISBN-13: 978-1616958879
Product Dimensions:
5.7 x 1 x 8.5 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
42 customer reviews
Amazon Best Sellers Rank:
#135,806 in Books (See Top 100 in Books)
This novel is a window into the unsettling life of a 15-year-old Native American boy named Sequoya. The story is very much a character study, and while it takes place in and around Sequoya's foster home in Oklahoma, the setting could better be described as a twilight world that sits on the precipice between life and death.Sequoya's physical and mental state mirrors the setting--alive but with a toe in the grave. Is he a reliable narrator, or does his preoccupation with death color what he experiences? He frequently steps into imaginary and untoward scenery that resides in the darker recesses of his mind. He becomes obsessed with a girl named Rosemary who is also a foster child, as though he wants to slip out of his own skin and into hers. The psychology of Sequoya is tense and disturbing to say the least. He displays moments of violence when pressed. Could he also hurt himself or others?WHERE THE DEAD SIT TALKING is probably a better book for anyone who likes a story that drips a constant stream of ambiance and subtleties rather than an entirely plot-driven series of events. Readers will have to search between the lines on this one to get the full experience.
This coming-of-age novel about about a Native American teenager placed into foster care in rural Oklahoma is written in such a compelling and unique voice.When Sequoyah moves in with the Troutts, he meets Rosemary, another teenager in their foster care. The two of them develop a deep, at times bizarre, connection, united by not only their difficult lives but also their Native American background. We find out on the first page that Rosemary is now dead, and there’s an underlying focus on death, including stark offhanded comments about when and how minor characters eventually die.There’s so much trauma and pain lurking beneath the surface of their lives, yet Sequoyah recalls this time in his life with a measured and controlled tone—almost matter-of-fact.I wasn’t prepared for how weird this book is, and I’m not sure I can adequately explain the type of weird that it is. Ottessa Moshfegh blurbed one of the author’s previous books, if that tells you anything. I loved the unexpected weirdness.Sequoyah’s mind is populated by dark, strange, uncomfortable thoughts that he exposes throughout the narrative. Though perhaps my favorite character is George, the precocious and odd 13-year-old foster child with whom Sequoyah shares a bedroom.
Hobson’s coming-of-age novel is not only a good read, it is an important exploration of addiction, violence, broken families, and the basic human need to connect to those around us, and to those who come before us. One can’t help but think of Salinger’s “The Catcher in the Rye,†but Hobson’s characters are raw, stripped to the bone, beyond any resonance of saving irony, and almost, though not quite, beyond redemption.
Sad, dark book. It was well written, until the very end. You're left to completely come up with your own understanding of the main character's outcome. There are clues, and you can guess. Just not very satisfying.For any reviewers suggesting that this book is a reflection on native American life - uh, no, not really. Don't read it for that.I suppose I just wanted more of an ending - I'm not expecting redemption, but was left wanting for a more developed conclusion.It left me hanging, and a little disappointed.
This is a seriously well-written book by someone whose talents were obvious to anyone who read his previous novel Desolation of Avenues Untold. Hobson proved his postmodern bona fides on that one, and even though this novel seems on the surface to be more conventional, his handling of this material is deft and even subtly subversive.The main character is a foster child named Sequoyah, and its through his POV that we experience the story. He's a foster child who is placed in a family with two other children, a younger boy named George and an older girl named Rosemary. He is immediately fascinated with Rosemary, though it's unclear where he intends this fascination to lead. It's this ambiguity that keeps you turning pages, eager to know more and understand the characters better. It also allows Hobson to make familiar scenes new and strange again. We have no real idea what's going on in Rosemary's and George's minds (not to mention the foster parents') but the details we do know are so vivid and carefully described that it prompts us to fill in the blanks. Hobson's prose is tender and perfectly balanced, avoiding sentimentality while also not succumbing to a "hard-edged" nihilism. Many have pointed out the story goes to dark places, but for me a story is never too dark when the voice telling it is so human, as is the case here. These are among the most economically developed characters I've read on the page, fully fleshed out with an economy of words and scenes. And even though I would be just as interested in reading the story from the other characters' perspectives, it's important that this story remains Sequoyah's, for it's a story about how we are changed by certain people in our lives, regardless of how well we know them or whether they really know us or not. That you can have a soulmate-type connection based on what amounts to so little might not be the stuff of your standard literary Bildungsroman, but it sure feels real to me.There are also a ton of memorable scenes I won't spoil here (including what should become the model for all squirm-inducing scenes involving dentistry moving forward), so instead I'll just implore you to read this excellent novel full of characters you won't soon forget. It's up for the National Book Award tonight. If it wins, it'll be well-deserved, and if another fine book wins, it won't diminish Hobson's towering accomplishment.
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