Ebook Free This Is Your Brain on Music: The Science of a Human Obsession, by Daniel J. Levitin

Ebook Free This Is Your Brain on Music: The Science of a Human Obsession, by Daniel J. Levitin

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This Is Your Brain on Music: The Science of a Human Obsession, by Daniel J. Levitin

Ebook Free This Is Your Brain on Music: The Science of a Human Obsession, by Daniel J. Levitin

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From Publishers Weekly

Starred Review. Think of a song that resonates deep down in your being. Now imagine sitting down with someone who was there when the song was recorded and can tell you how that series of sounds was committed to tape, and who can also explain why that particular combination of rhythms, timbres and pitches has lodged in your memory, making your pulse race and your heart swell every time you hear it. Remarkably, Levitin does all this and more, interrogating the basic nature of hearing and of music making (this is likely the only book whose jacket sports blurbs from both Oliver Sacks and Stevie Wonder), without losing an affectionate appreciation for the songs he's reducing to neural impulses. Levitin is the ideal guide to this material: he enjoyed a successful career as a rock musician and studio producer before turning to cognitive neuroscience, earning a Ph.D. and becoming a top researcher into how our brains interpret music. Though the book starts off a little dryly (the first chapter is a crash course in music theory), Levitin's snappy prose and relaxed style quickly win one over and will leave readers thinking about the contents of their iPods in an entirely new way. (Aug.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From School Library Journal

Adult/High School–Levitin's fascination with the mystery of music and the study of why it affects us so deeply is at the heart of this book. In a real sense, the author is a rock 'n' roll doctor, and in that guise dissects our relationship with music. He points out that bone flutes are among the oldest of human artifacts to have been found and takes readers on a tour of our bio-history. In this textbook for those who don't like textbooks, he discusses neurobiology, neuropsychology, cognitive psychology, empirical philosophy, Gestalt psychology, memory theory, categorization theory, neurochemistry, and exemplar theory in relation to music theory and history in a manner that will draw in teens. A wonderful introduction to the science of one of the arts that make us human.–Will Marston, Berkeley Public Library, CA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product details

Hardcover: 320 pages

Publisher: Dutton Adult (August 3, 2006)

Language: English

ISBN-10: 0525949690

ISBN-13: 978-0525949695

Product Dimensions:

6.2 x 1.1 x 9.3 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

407 customer reviews

Amazon Best Sellers Rank:

#140,735 in Books (See Top 100 in Books)

A lot of people are hating on this book, and it tends to be people who are either highly opinionated, went in exacting some revolutionary read, or are allegedly more educated than the author.This a fantastic book, if for nothing more than it gets you interested in wanting to read more. The author, much like modern astrophysicists like C. Sagan and L. Krauss might describe space ("billions and billions..."), has quite a way with words. He embeds in the reader a sense of wonder, and of amazement, at the magic that happens when you listen to music. If you're an audiophile who does not have an over inflated view of yourself and has a generally open mind about music, then this book is for you. I am not educated in this field whatsoever, and I found the analogies, comparisons, and even the really "dense" material very enticing and interesting.I cannot vouch for the accuracy of the statements and claims the author makes because I am not educated in this field. He could be completely wrong and pushing his own agenda (although it's a little hard to arrive at that conclusion unless you have some sort of raging superiority complex). But that kind of conversation, which fills many of the lower rated reviews, is missing the point.The language, the examples, the ranges of simple description to complicated extrapolation, it is all nourishing. These are interesting things to think about. And for a layman like myself, the point is not to be right, but to be interested. After reading this book, I don't care if he's right (although I doubt his inaccuracies, if any, surmount to much). I just care that he made me think about music in a new and interesting way.And for the average reader like myself, that is all you should want from a book like this.

This is sn excellent, well-written book on a topic that deserves more attention—the interaction between human brains and music, as informed by science. This is the most current book on this topic as I write. The second-most-recent book is 20 years older, and at the present rate of advance in brain science, that is a long time. Other reviewers have complained that the author drops too many names. I disagree. His first career, before he went back to school and got his Ph.D, was as a recording engineer. It is not name-dropping when you know famed singer-songwriter Joni Mitchell on a first-name basis, have discussed musical details of recording her while doing it, and then have later interviewed her about relevant topics in this book. This is by no means the only such useful example this unusual writer provides. The book does have an uneven feel to it in some spots, because it slows down to take you, like a fly on the wall, to unexpected places, but these are worth going to. I happen to know the science of some of what Levitin discusses, as I worked in computer speech recognition for five years, built two labs, and have a couple of published papers from that work. On what I know, Levitin is spot-on accurate. He also provides thorough notes and references if you want to dig deeper. But he also is a very good explainer, which I really appreciated when he discussed music. All in all this is a fine introduction. If it has any weakness, it is that he does not try to organize and categorize as much as he could have, but he WILL keep you reading!

I recently started music therapy for my son with autism and this book explains why I think it is so good for him. Autism means "splinter skills" and sometimes I am surprised at what he can (and, sadly, can't do). When he was much younger he was good at math, almost grade level until he suffered a concussion. But I feel music therapy is bringing back some of that pattern recognition and decoding and he has begun to be able to read musical notes to play piano and change chords on the ukulele. It is so joyful and this book inspires me to help him practice more in between biweekly sessions with a trained therapist.Music therapy gives me new hope that he can still learn and grow even after his academic progress has stalled.The author has such an interesting background music combined with neuroscience. I loved his other book too entitled "The Organized Mind" ... Dan Levitin has a way of making me feel completely normal that my brain feels often on the verge of exploding as it tries to cope with modern life.... I love how the author EXPLAINS why playing/practicing music/listening to music clapping hands to a good rhythm, singing in unison, watching a familiar old musical or a newer one like La la Land is so helpful(relaxing, energizing, calming, whatever mood I seek, there's a song for it. this book is full of interesting music trivia and he uses great examples of familiar songs so you immediately get his points on how songs are written and why we like some more than others, get some stuck in our heads and others are nails on chalkboard based on our own tastes/experiences ... so interesting how the "younger generation" has been rebelling against parents but also rediscovering and enjoying prior generations' music as well.A great read that literally plays music in your head. An Ode to Joy.

This is a great book. I read it 3 times in the first week that I had it. It is gripping and interesting, and remarkably jargon-free. Some of my non-musical friends who borrowed it said that they did not enjoy it and that it was too complicated for them to understand. I have some music theory education which was helpful for understanding the book, but Levitin makes it possible for non-musicians to appreciate the book too. With that being said, it is not written for children. There is a long, complicated part of the book which focuses intensely on the neuroscience part. I found it interesting and easy enough to understand as I am interested in neuroscience and have spent many hours educating myself about it on the internet. Most of my friends did not find this part engaging. I recommend this book to musicians, neuroscientists, and anyone who finds the human mind interesting.

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